The Apocryphal William Shakespeare:
Episode 4 with Sabrina Feldman
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What is your favorite Shakespeare play?
Locrine? maybe The London Prodigall? Or perhaps the superhit Mucedorus, reprinted in at least 17 quarto editions, more than any other extant play of the era.
These dramas and more are part of the “Shakespeare Apocrypha,” works that were attributed to William Shakespeare during the 17th century, in several cases during the Stratford man’s lifetime.
In this episode, Allan Armstrong interviews Dr. Sabrina Feldman, author of The Apocryphal William Shakespeare, to discover the story behind these intriguing but nearly-forgotten plays that have been kicked out of the Shakespeare Canon.
Once renowned crowd-pleasers, works like The Famous Victories of Henry the Fifth, Mucedorus, Fair Em, and The Troublesome Reign of King John now exist on the fringes of early modern drama. Scholars have largely ignored these works because they are considered vastly inferior to the accepted Shakespeare plays. Yet many were published with William Shakespeare’s name or initials on their title pages, and a half-dozen of them were included in the 1664 Third Folio of Shakespeare’s works.
Who wrote the Shakespeare Apocrypha? And how do we explain the close ties between some of these plays and the works universally accepted as Shakespeare’s?
In this podcast, we’ll hear excerpts from these plays that provide a taste of the distinctive and highly entertaining qualities that made them wildly popular in Elizabethan and Jacobean England.
The Conversation Continues
Part 2 Poet Ape: A Plagiarist Among the Playwrights
Books and articles for further exploration:
- Sabrina Feldman, The Apocryphal William Shakespeare
- C. F. Tucker Brooke, The Shakespeare Apocrypha: Being a collection of fourteen plays which have been ascribed to Shakespeare
- F. W. Moorman, Plays of Uncertain Authorship Attributed to Shakespeare. Section Ten from Volume 5: The Drama to 1642, Part One; The Cambridge History of English and American Literature: An Encyclopedia in Eighteen Volumes
- Diana Price, Shakespeare’s Unorthodox Biography: New Evidence of an Authorship Problem
- Eric Sams, The Real Shakespeare: Retrieving the Early Years, 1564-1594
- Fran Gidley, Shakespeare in Composition: Evidence for Oxford’s Authorship of “The Book of Sir Thomas Moore”, downloadable from The Shakespeare Oxford Society website here.
- Richard Simpson, The School of Shakspere, Volume II
Sabrina Feldman manages the Planetary Science Instrument Development Office at the NASA Jet Propulsion Laboratory. Born and raised in Riverside, California, she attended college and graduate school at the University of California at Berkeley, where she enjoyed the wonderful performances of the Berkeley Shakespeare Company, studied Shakespeare’s works for a semester with Professor Stephen Booth, and received a Ph.D. in experimental physics in 1996. She has worked on many different instrument development projects for NASA, and is the former deputy director of JPL’s Center for Life Detection. Her scientific training, combined with a lifelong love of literature and all things Shakespearean, gives her a unique perspective on the Shakespeare authorship mystery. Dr. Feldman lives in Pasadena, California with her husband and two children.
Special thanks to actors Mark Anders, Chris Ensweiler, Leslie Law, David Anthony Lewis, Hannah Mootz, and Mark Waldstein.
What an interesting podcast! I’ve read Feldman’s book, so I’m somewhat familiar with the background presented here, but hearing the Apocrypha performed was fascinating. I only wish you’d had time to present longer pieces, I was just getting into some of the scenes when they ended.
And yes, surely it’s time by now for Mucedorus to be performed at Shakespeare in the Park…
Thank you for listening and for your comments! So glad you enjoyed it. There will be more acted scenes (still truncated, alas) in part 2 of Dr. Feldman’s interview.
Many thanks for your compliment! I agree that longer scenes would have been terrific, but I didn’t want the episode to be too long, so I gave most of the time to Sabrina. But others have said this, too, so now I’m thinking that it might be a good idea to record an entire apocryphal play!
Thanks for your response, that would be amazing, I would love to hear an entire apocryphal play.
I’m really looking forward to Part 2, thanks so much for organizing this.